Les Belles de Ricci Délice d’Épices was launched in April 1999 as the warmest and most adventurous member of Nina Ricci’s youthful Les Belles de Ricci collection. Created by Cécile Matton and Rosendo Mateu, it took the playful, mood-driven spirit of the original Les Belles de Ricci and translated it into a richer fruity-floral spice fantasy. Marketed to girls and young women aged approximately fifteen to twenty, it was intended for the moments when sweetness and freshness were not enough—when the wearer wanted something more daring, energetic, and a little mysterious. In Japan, it was called Secret Spice, a name that emphasized its intimate, intriguing character.
Délice d’Épices is French and means “delight of spices,” or more naturally, “spicy delight.” It is pronounced approximately, “day-LEESS day-PEESS.” The name immediately suggests sensory pleasure: warm pastries, candied citrus peel, glowing amber, exotic spice markets, and a deliciously fragrant kitchen. Délice implies something delectable and indulgent, while épices introduces heat, color, movement, and a touch of the unfamiliar. It is a name designed to make spice sound playful and tempting rather than severe or overly adult.
For Parfums Nina Ricci, this was an apt name for the “adventurous spirit” in the Les Belles de Ricci trio. If Amour d’Amandier represented tender romance and Liberté Acidulée expressed fizzing, tangy independence, Délice d’Épices gave youthful femininity a more unpredictable edge. It suggested a girl willing to experiment—with style, friendships, attraction, and her own developing sense of self. The scent was not meant to portray her as world-weary or conventionally seductive, but as lively, curious, slightly impertinent, and eager to be surprised.
The name evokes sunny orange and gold, spice tins opened at once, ripe fruit warmed by the sun, and a soft trail of vanilla and resin lingering on skin. It carries the emotional warmth of excitement: a flirtation, a party, a first trip without parents, or the heady feeling of discovering that one can be both sweet and bold. In fragrance terms, Délice d’Épices promises a scent with contrast—bright fruit against warm spice, tender flowers against peppery heat, and youthful sweetness resting on an enveloping oriental base.
Its fruity floral spicy gourmand-oriental structure fulfills that promise. Bitter orange and grapefruit give the opening a tangy, sparkling bite, while apple, blueberry, and peach add bright, colorful fruitiness. Chinese cinnamon, Ceylon cardamom, pepper, and Indonesian clove form the aromatic heart of the perfume, joined by carnation, orchid, and Egyptian jasmine. This creates the feeling of a floral bouquet warmed from within by spices: cinnamon’s sweet woody heat, cardamom’s cool aromatic lift, pepper’s lively tingle, and clove’s dark, carnation-like richness. The base—vanilla, toffee, benzoin, tonka bean, sandalwood, cedar, and benzoin—turns the composition softer and more sensual, with creamy sweetness, balsamic amber warmth, and dry woods beneath the fruit and spice.
Délice d’Épices arrived during the late-1990s turn-of-the-millennium moment, when youth culture, bright color, playful femininity, and individual self-expression were central to fashion and beauty. The era combined minimalism with a candy-colored, pop-influenced mood: platform shoes, denim, tiny tops, glossy makeup, cheerful accessories, and a growing appetite for beauty products that felt fun rather than formal. Fragrance houses increasingly recognized teenage girls and young women as a distinct audience, offering perfumes designed around personalities and shifting moods instead of presenting a single polished ideal of womanhood.
In perfumery, the fragrance followed an important late-1990s movement toward sweeter, more edible scents. The impact of gourmand perfumery—especially after Thierry Mugler’s Angel—had made vanilla, caramelized effects, fruits, confectionery notes, and warm amber bases increasingly desirable. Délice d’Épices belonged to that trend through its toffee, vanilla, tonka, benzoin, and fruit notes, but it softened the genre with florals and energized it with a vivid spice accord. It was less dark and patchouli-heavy than the grand gourmands of the decade, and lighter in spirit than many traditional oriental perfumes.
It was therefore not wholly outside the trends of 1999; rather, it was a youthful, colorful interpretation of them. Its gourmand warmth, fruit, and vanilla aligned it with the growing taste for delicious fragrances, while its unusually prominent cinnamon, cardamom, pepper, and clove gave it a more animated personality than many sweet floral launches aimed at teenagers. In the Les Belles de Ricci wardrobe, Délice d’Épices was the sunny-orange mood: voluptuous, lively, and fragrant with the pleasure of taking a small, exciting risk.
Fragrance Composition:
So what does it smell like? Delice D’Epices is classified as a fruity floral spicy gourmand-oriental fragrance for women. Its bright bitter-orange, grapefruit, apple, blueberry, and peach opening gives it a juicy fruity-floral freshness, while Chinese cinnamon, Ceylon cardamom, pepper, Indonesian clove, carnation, orchid, and Egyptian jasmine create a warm, aromatic spiced-floral heart. The base of vanilla, toffee, benzoin, tonka bean, sandalwood, cedar, and benzoin gives it its gourmand, ambery, woody oriental character.
- Top notes: Seville bitter orange, grapefruit, apple, blueberry, peach
- Middle notes: Chinese cinnamon, Ceylon cardamom, pepper, Indonesian clove, carnation, orchid, Egyptian jasmine
- Base notes: Virginia cedar, Mysore sandalwood, Madagascar vanilla, toffee, Siam benzoin, Venezuelan tonka bean
Scent Profile:
Bottles:
Délice d’Épices was presented in a vivid sunny-orange flacon, a buoyant spiral of lacquered glass shaped like a plump coiled serpent. Its rounded, curling form can also suggest a twist of ribbon, a piece of candy, or a generous swirl of orange ice cream—exactly the sort of playful fantasy that suited the Les Belles de Ricci collection. Designed by Elisabeth Garouste and Mattia Bonetti, the bottle transforms the perfume’s warm, spicy-gourmand personality into a small sculptural object: cheerful, tactile, slightly surreal, and full of movement.
The luminous orange color reflects the fragrance’s character beautifully. It calls to mind bitter-orange peel, peach skin, cinnamon warmth, cardamom, clove, and the caramelized sweetness of toffee and vanilla. Bright rather than dark, it suggests warmth, excitement, and adventure—the sunny-orange “emotion” assigned to Délice d’Épices within the three-scent collection. The lacquered glass makes the color feel rich and almost velvety, softening the hard clarity normally associated with glass. Held in the hand, the rounded flacon has a sensual, voluptuous presence, inviting one to turn it and feel its smooth, curving coil.
A metallic-blue stopper crowns the orange spiral in the form of a five-petalled flower arranged around a central pistil. Its cool, polished blue contrasts dramatically with the bottle’s glowing orange body, like twilight against a warm spice market or a blue ribbon tied around a bright confection. The metallic finish catches the light with the festive shine of a Christmas ornament, while the flower form adds a touch of youthful femininity to the deliberately eccentric silhouette. Together, the orange coil and blue blossom create a bottle that seems to embody the fragrance itself: sweetly spiced, colorful, energetic, and far too playful to inspire melancholy.
The clear colored bottles came out in 2005 and replaced the lacquered bottles.
Fate of the Fragrance:
Discontinued, date unknown, probably by 2010.





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